Film In Context: La Dolce Vita
Stephen Gundle settles in the stalls to re-view the epochal Fellini film that defined the hedonistic spirit of post-war Italy.
Stephen Gundle settles in the stalls to re-view the epochal Fellini film that defined the hedonistic spirit of post-war Italy.
Robert Poole revisits the ‘Calendar Riots’ of 1752 and suggests they are a figment of historians’ imagination.
If you want to know the time, argues Robert Poole, you should ask an historian.
Cressida Trew, winner of this year's Julia Wood Essay Prize, shows that Polish historians under political duress and with the need to forge a positive national identity have denied rather than confronted the Holocaust.
Paula Bartley takes issue with those historians who depict the suffragettes of the Pankhursts' Women's Social and Political Union as elitists concerned only with upper- and middle-class women.
The editor of the Evening Standard reflects on the romantic roots of his interest in history.
Robert D. Storch argues that the state of policing before Peel was not always as bad as the reformers liked to claim.
Revolutions and changes of dynasty seem to have happened with the regularity of clockwork on the island of Java. M.C. Ricklefs investigates.
Brian Griffin describes the forces that arose from the ashes of the Royal Irish Constabulary to face the very different problems of policing Ireland north and south.
C.S.L. Davies writes an obituary of the social historian.