Sex and Sensibility at the British Museum

David Gaimster reveals the origins and contents of the British Museum's Secretum, a hidden repository of artefacts deemed pornographic and unfit for public gaze by Victorian curators.

Since the introduction of the printing press at the end of the Middle Ages with its ability to replicate the visual image, the dividing line between art and obscenity has been constantly changing. Today we are surrounded by the sexual image, on television, in magazines, on video and on our home PCs. Pornography is becoming an increasingly accepted part of British popular culture and remains the only business that consistently turns a profit on the net. But the political and moral dilemma between access to sexual culture and its regulation has a long heritage in Britain going back to the decades before the drafting of the first obscenity legislation in the mid-nineteenth century.

To continue reading this article you need to purchase a subscription, available from only £5.

Start my trial subscription now

If you have already purchased access, or are a print & archive subscriber, please ensure you are logged in.

Please email digital@historytoday.com if you have any problems.