At The Portrait Painter’s
David Mannings describes how the painters of the eighteenth century conducted their studios and sittings.
David Mannings describes how the painters of the eighteenth century conducted their studios and sittings.
Griffith was neither a spell-binding orator nor a dashing leader; but, writes Richard Davis, he helped to ensure that no authoritarian regime was established in Ireland after 1921.
In 1851, writes Marjorie Sykes, there were over 30,000 hawkers and pedlars on the roads of Britain.
Joanna Richardson describes the two visits of Zola to England. The writer first arrived in 1893 and again, five years later, during the Dreyfus Case.
In the maritime provinces and Quebec, writes Wallace Brown, thousands of Loyalists took refuge and changed the course of Canadian history.
Rex Winsbury describes how the attempted Russian Revolution of 1905 was the prologue to greater events in 1917.
In August 1918, writes John Terraine, the German High Command recognized the signs of defeat but four more fighting months passed before the armistice.
Since its foundation, writes Ian Bradley, the Old Vic theatre became in turn a drinking den, a temperance hall, and the home of serious ballet and drama.
Windmills abounded in England from the twelfth century onwards. Terence Paul Smith describes how their bodies usually revolved on a vertical post so that the miller could face the sails into the wind.
Over four centuries the University of Padua attracted a large number of foreign students, writes Alan Haynes, among whom the English were prominent.