The successful Broadway run of The Pitmen Painters, Lee Hall’s drama set in a north-east mining community, has introduced US audiences to a remarkable chapter in British working-class life, writes Robert Colls.
In writing a young person’s history of Britain Patrick Dillon found himself wondering where myth ends and history begins.
At what point did it begin to matter what you wore? Ulinka Rublack looks at why the Renaissance was a turning point in people’s attitudes to clothes and their appearance.
Stuart Clayton ask whether the mass media have undermined the status of leading authority figures in Britain since 1945.
Geoff Coyle revisits an article by Chris Wrigley, first published in History Today in 1984, examining the mining dispute of 1926,which developed into Britain’s first and, to date, only general strike.
What can the historian learn from writing fiction? Lisa Hilton, whose first novel is set in south-west France, discovered revelations about the area as well as her approach to interpreting the past.
Paul Lay is moved by an exhibition of tokens left by the mothers of children abandoned during the mid-18th century.
Has the British family undergone an unparalleled breakdown since the 1960s, as is often claimed? Pat Thane argues that there never was a golden age of domestic bliss.
As Coronation Street celebrates half a century in the nation’s living rooms, Andrew Roberts looks at why an intensely parochial television series that has wilfully refused to acknowledge change is still going strong.
Richard Cavendish remembers the execution of a notorious murderer on November 23rd, 1910.
