Amateur Theatre in Georgian England
Evelyn Howe takes the reader on a visit to private play-houses and their players during the later eighteenth century.
Evelyn Howe takes the reader on a visit to private play-houses and their players during the later eighteenth century.
From 1774 to 1827, writes Adrian Bury, the ordinary Englishman and woman were drawn from life by Rowlandson with incomparable industry and vigour.
Africans in Georgian Britain have often been portrayed as victims of slavery, unfortunates at the bottom of the social heap. The reality was far more fluid and varied, with many African gentlemen sharing the same cultural and social aspirations as their fellow Englishmen.
“How came it that so many important contemporaries took this ‘social butterfly’ so seriously?” John Gore, Creevey’s editor and biographer, re-examines the Whig memorialist’s contribution to late Georgian history.
A collateral relation of the famous diarist met with some alarming experiences in Dr. Johnson’s company during the 1780s, writes D. Pepys Whiteley.
When the celebrated antiquarian nicknamed “Stumpity Stump” toured the rustic neighbourhoods that then surrounded London, writes Meyrick H. Carré, the metropolis was on the verge of a period of ruthless expansion and development.
Court-martialled in 1760 for disobeying military orders, Sackville rose to the office of Secretary of State for War, writes David Fraser.
Penelope Corfield provides an overview of the many recent lively and entertaining studies of 18th-century Britain.
Before he was tamed by respectable Victorians, the archetypal, bibulous Briton, beloved of cartoonists and satirists, embodied all the virtues and vices of the late 18th century and the scandal-rocked Regency.
In 18th-century British politics, eloquence might change votes on the spot. Loren Reid describes how the voice of Whig politician Charles James Fox often did exactly that.