Sperandio's Renaissance Medals
Luke Syson examines how artifice, art and political calculation combined to produce medal portraits by Sperandio of Mantua for two of Renaissance Italy's "warhorses", Giovanni Bentivoglio and Federico da Montelfeltro.
Luke Syson examines how artifice, art and political calculation combined to produce medal portraits by Sperandio of Mantua for two of Renaissance Italy's "warhorses", Giovanni Bentivoglio and Federico da Montelfeltro.
Andrew Martindale explains why Renaissance Sienese doctored the history of a 12th-century papacy when decorating their new city hall.
Harry Hearder argues that language has been a help rather than a hindrance in Italy's past and present struggle to achieve political and psychological unity.
Diana Webb looks at the miracles and saints populating the basilica of the San Frediano in Lucca.
Were art and religion inevitable victims of war? David Colvin and Richard Hodges discuss the action and the issues it raised - including testimony from a surviving witness from the monastic community.
Every commune had to have one - Diana Webb explains how the cult of a holy man or woman and civic PR went hand-in-hand in medieval Italy.
A country divided, degenerate and in cultural decline? Robert Oresko examines the changing views historians are developing of Italy between the sixteenth and eighteenth centuries and finds a society far more vibrant and complex than tradition suggests.
John A. Davis discusses a range of books tackling the Risorgimento.
The trade guilds of Venice, explains Richard Mackenney, were organisations with a surprising amount of political and economic power in the patrician Renaissance city.
'The Genius of Venice' at the Royal Academy, Winter 1983/4