England

R.J. Adam presents a new study of the Jacobite rising, and of the complex pattern of local interests that helped to determine the conduct of the Scottish clan-leaders.

J. Leslie Nightingale describes how, during the 17th century, Puritanism spread into English villages, with the twelve sons of Jacob and all the major and minor prophets to be found on the village greens. Names after the Christian graces and virtues—Patience, Honour, Faith, Hope, Charity—were also widely bestowed at Puritan baptisms.

A.F.C. Baber writes that traditions of English local government, carried to the New World, provide an important clue to the success of the Pilgrims' emigration.

Church and State stood foursquare behind the superiority of man in seventeenth century England. It was only when a lady became a widow, writes Maurice Ashley, that a glorious opportunity for authority and freedom suddenly flooded in upon her.

Noel Goodwin remembers Joseph Haydn, who led a dedicated life of remarkable fertility and created “a method and style of musical architecture capable of such infinite variety that more than a century of orchestral music was directly based upon it.”

Dorothy Margaret Stuart introduces a grandee at the court of Edward IV, a warrior both on land and sea, and the first patron of English printing; Earl Rivers, who met his death in the sinister Castle of Pontefract at the orders of Richard III. 

Meyrick H. Carré studies the reasons that led Francis Bacon, the distinguished philosopher and man of letters, to become in his political career a vehement upholder of absolute royal authority.

Christopher Lloyd marks the tercentenary of Robert Black, Cromwell’s “General at Sea,” whose name ranks with those of Drake and Nelson in English naval annals.

Artist and Industrialist have rarely succeeded in establishing a fruitful alliance. But during the latter years of the eighteenth century, writes Neil McKendrick, such an alliance was formed—with results that we admire today. Wedgwood, a great potter, and Stubbs, a celebrated painter, agreed to pool their very different gifts.

Meyrick H. Carré introduces an Irishman who personified the genius of experimental inquiry and did much to influence the Enlightenment in England.