Noel Goodwin remembers Joseph Haydn, who led a dedicated life of remarkable fertility and created “a method and style of musical architecture capable of such infinite variety that more than a century of orchestral music was directly based upon it.”
Dorothy Margaret Stuart introduces a grandee at the court of Edward IV, a warrior both on land and sea, and the first patron of English printing; Earl Rivers, who met his death in the sinister Castle of Pontefract at the orders of Richard III.
Meyrick H. Carré studies the reasons that led Francis Bacon, the distinguished philosopher and man of letters, to become in his political career a vehement upholder of absolute royal authority.
Christopher Lloyd marks the tercentenary of Robert Black, Cromwell’s “General at Sea,” whose name ranks with those of Drake and Nelson in English naval annals.
Artist and Industrialist have rarely succeeded in establishing a fruitful alliance. But during the latter years of the eighteenth century, writes Neil McKendrick, such an alliance was formed—with results that we admire today. Wedgwood, a great potter, and Stubbs, a celebrated painter, agreed to pool their very different gifts.
Meyrick H. Carré introduces an Irishman who personified the genius of experimental inquiry and did much to influence the Enlightenment in England.
Cecil secured the peaceful accession of the Stuarts and strove with near success, Joel Hurstfield writes, to solve the vexatious problems that confronted the new dynasty in England and upon the European scene.
As Professor of Arabic at Oxford, writes P.M. Holt, Pococke pursued his scholarly life amid civil war and republican experiment.
Evelyn Hardy visits an English architectural monument of elaborate richness.
Twenty-three crucial years in English history were covered by the arch-episcopate of Thomas Cranmer, whose most enduring monument is the English Book of Common Prayer. By H.A.L. Rice.
