Beaverbrook - Sickert's 'Political Portrait'
Richard Shone looks at the foray into portraiture of a leading British artist and reflects on the tensions of painter-patron relations in the cultural climate of 1930s Britain.
Richard Shone looks at the foray into portraiture of a leading British artist and reflects on the tensions of painter-patron relations in the cultural climate of 1930s Britain.
How did Hitler's armies try and persuade the occupied populations of the Soviet Union to live with their new regime? British military historian John Erickson comments on wartime posters unearthed from the Russian archives.
G. Waterfield and Nicola Smith look at an initiative to blend industrial living and artistic appreciation in Victorian Britain.
Frank Nowikowski investigates missing paintings mysteriously found after the Second World War.
Andrew Wilton discusses a picture that shows the great landscape painter in a role removed from his stereotype, and which tells us much about the changing mores and aspirations of 'Middlemarch' England.
Rachel Braverman on a shocking American realist.
Tom August explores the imperial assumptions - and the hints of independence from Britannia - to be found in the paintings and artists on show in the Palace of Arts at the British Empire Exhibition.
Three new publications on the Renaissance
Pictures worth a thousand words - William Coupe traces, via cartoons, the changes in attitudes and public opinion in the Kaiser's Germany towards the First World War.
by J.S. Curl