Bismarck and the Cartoonists
W.A. Coupe explores the polarised opinions aroused by the 'Iron Chancellor', as revealed in the German press.
W.A. Coupe explores the polarised opinions aroused by the 'Iron Chancellor', as revealed in the German press.
Roy Porter opens our new series on Picturing History, based on a series of lectures organised in conjunction with Reaktion Books, and shows how 18th-century images of the medical profession flow over into the work of political caricaturists.
Charles Saumarez Smith, Director of the National Portrait Gallery, reflects on some of the issues raised by the exhibition 'Painted Ladies: Women at the Court of Charles II'.
David Johnson looks at the art of Sayers and Gillray and the role of pictorial satire in the destruction of a government.
Charlotte Crow reviews the Museum of London exhibition tracing three centuries of artistic creativity in London.
Timothy Benson assesses Hitler's irritated reaction to being lampooned by David Low of the Evening Standard.
The Exposition Universelle in Paris ended on November 12th, 1900. In seven months, the Exposition drew over 50 million visitors.
Christine Riding and Jacqueline Riding (ed.)
Desmond Shawe-Taylor on the re-opening of the Dulwich Picture Gallery and the history of its foundation.
Nick Cull explores how the smash-hit horror film exploited all the issues that most worried Americans in the early 1970s.