India

Keith Nurse examines a collection of Indian art at the Powis Castle in Wales.

‘Trade follows the flag’ is a truism of imperial expansion but in the 1680s it was the other way round, as the East India Company attempted to challenge the might of the Mughal emperor Aurangzeb.

Susan Bayly looks into an Indian Museum in the southern state of Tamil Nadu.

Emancipation in British Guiana brought an influx of indentured labourers from India, whose working and living conditions were destructive of caste and culture, and often as harsh as those of the slaves they replaced.

Judith Brown surveys the relevant literature for understanding Indian society and history.

The buildings the British built in India tell us much about how the British shaped India's conception of the past, explains Thomas R. Metcalf, and how they turned India's architectural heritage to the service of the Raj.

The art of India is a vital cultural expression of India. As Partha Mitter explains, it is intertwined with assertions of nationalism, the equation of modernisation and westernisation, and a desire to preserve the cultural heritage of India.

The British had been trading in India since 1600. As R.W. Lightbown, it was not, however, until the late eighteenth century that British interest in Indian culture burgeoned and was carried home by the traveller.

To hundreds of thousands of Indians the British Raj was personified by its administrative arm, the Indian Civil Service, explains Ann Ewing, by which the British governed its imperial possession through a small élite spread thinly throughout the vast sub-continent.

In this article Rosalind O'Hanlon describes the effects of Hindu religious hierarchies upon the daily life of Untouchables in traditional Indian society and discusses some of the forces associated with British rule that worked to change both the social position of Untouchables and their perception of their position.