A Frenchman at the Court of the Grand Turk, 1728-1729
Eighteenth-century ambassadors to the Sublime Porte found little to admire in Turkey, writes Lavender Cassels, and suffered many humiliations before they reached the Sultan’s presence.
Eighteenth-century ambassadors to the Sublime Porte found little to admire in Turkey, writes Lavender Cassels, and suffered many humiliations before they reached the Sultan’s presence.
C.T. Allmand introduces the chronicler, Jean Froissart, who left to posterity a fascinating account of the events and attitudes of his age, which he himself mirrored so faithfully.
Just when the great merchant-banker had reached the zenith of his career, writes A.R. Myers, Jacques Couer was suddenly disgraced and imprisoned. Three years later, he was able to escape and took refuge, first in Provence, then in Rome with a sympathetic Pope.
Though ill-famed, even in his own day, Louis XI was also described as “the wisest and most dexterous” of medieval rulers. By J.H.M. Salmon.
R.B. Landolt describes how Moliere’s comedy, Le Tartuffe, which portrays religious hypocrisy, involved him in troubles with devout persons at Court and with his patron, Louis XIV.
J.H.M. Salmon describes the rivalry between these two remarkable royal ladies—both strongly ambitious and fiercely self-willed—who played an important part in the history of France.
Ross Watson introduces Prince Eugene of Savoy; Marlborough’s companion in arms was not only a great soldier but also one of the most important patrons and collectors of his day; a modest man with a deep love of painting and architecture inspired by a strongly individual taste.
France’s ‘First Peer’ was created on 6 September 1363.
Marseille is the 2013 European Capital of Culture – time to recall the heroics of Varian Fry, a US citizen who lived there during the Second World War. Markus Bauer reports.
Reaction to the death of André-Ernest-Modeste Grétry far exceeded the fame of the Belgian-born composer during his lifetime. The cult-like status he achieved beyond the grave reflects the power of music in turbulent times and reveals new attitudes to mourning, says James Arnold.