Julius Caesar and his Commentaries
Unlike Alexander of Macedon, Julius Caesar had to deal with rivals as ambitious and influential as himself; and S. Usher finds that he has left a lucid account of his rise to greatness.
Unlike Alexander of Macedon, Julius Caesar had to deal with rivals as ambitious and influential as himself; and S. Usher finds that he has left a lucid account of his rise to greatness.
James Shiel describes how, as one of those writers who forged a link between classical antiquity and medieval Christendom, Boethius was executed in 524 at the command of the barbarian king he served.
A characteristic product of eighteenth-century liberalism, the twenty-eight volumes of French Encyclopedia are here reviewed and reassessed by John Lough.
One of Napoleon's most prominent enemies among authors cast the Duke, during the Allied Occupation of Paris, in the role of Saviour of France. She was not much mistaken, writes Harold Kurtz.
John Raymond profiles a man whose forbears had fought to win the Republic. Henry Adams, however, witnessed and testified to the birth of a nation.
Two very different French travellers, a romantic and a realist, have left us their opinions of the rising civilization of the United States. Arnold Whitridge assesses two contrasting historical viewpoints.
How accurate are Shakespeare’s historical plays? Harold F. Hutchison compares the dramatist’s account of Richard’s downfall with the actual course of events.
Possibly some innate realism prevented the Mesopotamians from seeing death other than objectively. But the Epic of Gilgamesh remains an eloquent witness to the poignancy of their interrogation of the meaning of human life and destiny. S.G.F. Brandon.
E. Badian introduces Cicero, the master of Latin rhetoric, who long strove to preserve the traditional Republican oligarchy, but who perished at the orders of a military triumvirate that came to represent “the reality of power” in Rome.
Francis Watson delights in Defoe's inimitable personage not only as the hero of one of the greatest of all adventure stories, but “as the portrait of an Englishman, a representative of the contemporary middle class, with a Protestant stimulus to hard work, founding a new age of commercial, industrial and political development.”