Italy

Soldiers of fortune yet passionate lovers of art—the Gonzagas were a typical product of Renaissance Italy. By F.M. Godfrey.

Elizabeth Wiskemann re-examines a period of transition between the House of Savoy's reign and the dominance of the Pope in Italy.

Da Vinci's scientific observations proved inseparable from his intentions as a painter, Kenneth Clark writes. But as a disciple of experience ahead of his time, the impracticability of Da Vinci's visions would come to haunt him.

A new exhibition at the British Museum on the aftermath of the eruption of Vesuvius in AD79 raises questions about the relationship between past and present, says Daisy Dunn.

The Pope’s resignation shows that the papacy is actually in a stronger position than it has been at any other point in its history, argues Alexander Lee.

L.F. Marks introduces Savonarola, dominant within the turbulence of Florentine politics of the 1490’s.

Stella Mary Pearce uses the example of the Renaissance to reflect on the links between interesting times and their fashions.

F.M. Godfrey sifts through diverse depictions of Italy's Renaissance family.

Elizabeth Wiskemann writes that Bentinck’s achievements as British Minister in Sicily, and inspirer of Italian resistance to Napoleon in the years 1811-1814, suggest interesting parallels with recent conflicts.

Sir Kenneth Clark discovers echoes of both ancient and modern in a true Renaissance man.