The Myth of Orpheus and Eurydice
For two thousand years poets, writes Michael Grant, composers and painters have drawn upon the great archetypal myth of Orpheus—one of the myths that will always stir humanity.
For two thousand years poets, writes Michael Grant, composers and painters have drawn upon the great archetypal myth of Orpheus—one of the myths that will always stir humanity.
Thanks to his gift of foresight, aided by his natural intelligence and a flair for improvization, Themistocles carried through a long-term programme, aimed at making his native city a great imperial power. By Stephen Usher.
James Shiel describes how, as one of those writers who forged a link between classical antiquity and medieval Christendom, Boethius was executed in 524 at the command of the barbarian king he served.
Anthony Bryer describes how, from 1453 to 1923 the dream of a recaptured Byzantium and a resurrected Byzantine Empire continued to haunt the Greek imagination.
When the rapacious warriors of the Fourth Crusade seized Constantinople at the beginning of the thirteenth century, two Byzantine princes set up an empire-in-exile stretching from Georgia along the Black Sea coast. This new empire outlived the parent city. Until 1461, writes Anthony Bryer, it remained an unconquered outpost of Greek-Christian civilization.
Peter Green introduces Hesiod, a Boeotian farmer who, towards the end of the eighth century B.C., wrote his poem known as The Works and Days. His cantankerous, radical, earthy views present a remarkable contrast to the stylised grandeur of the contemporary Homeric vision of Greek society.
E. Badian studies the political background of Alexander’s plans for world conquest.
Geoffrey Chandler analyses the complex pattern of reasons why Greece became the arena where the first violent post-war trial of strength took place between Communism and the West.
The author of Whisky Galore played an active role in the Great War, experiencing both the horror of the Dardanelles in 1915 and the intrigues of wartime Athens. Yet his diplomatic ham-fistedness forced his premature exit. Richard Hughes explains.
Owing to the researches of the late Michael Ventris, Greek scripts of some six or seven centuries before the Age of Homer can be read. Here, L.R. Palmer here examines the basis of Ventris's achievement in classical scholarship.