England

Robin Studd shows how Henry III's acceptance after 1259 of vassal status for England's one remaining continental territory of Gascony gave enormous scope for interference by the French crown.

Anglo-Saxon art gave way to Romanesque under the Conqueror and his successors, but the change was more gradual and less one-sided than the political changes might lead us to suppose.

Was the Protestant Church of Elizabeth the catalyst for a new patriotism, based on a special sense of English destiny and divine guidance?

Stephen Williams investigates the excavations at Leadenhall Court of the surviving portion of Roman London’s Forum- Basilica.

David Starkey explores one of his favourite museum galleries, in south London.

Transition in art and kingship, between medieval and Renaissance Europe, characterises the first Tudor's memorial.

Ruthless militarists who extinguished a more thoughtful and sophisticated culture? Or synthesisers of genius who gave England a new lease of life in focusing its attention on Continental Europe? R. Allen Brown weighs profit and loss from the events of 1066.

A round up of the latest texts on the complex subject of the Norman Conquest.

Much Tudor art may not have been 'home-grown' but its form and subject matter tells us a great deal about England's 'natural rulers'.