Maudslay: The Maya Man

Ian Graham celebrates the efforts of the archaeologist and photographer in opening up for study the Mayan civilisation of central America.

Photograph of Alfred Percival Maudslay at Chichen Itza, 1889.

Not often is the work of a nineteenth-century field archaeologist valued as highly by modern scholars as it was by their predecessors a century ago. Yet this is true of the documentation of Maya sculpture and inscriptions that a British archaeologist compiled between the years 1881 and 1894. This pioneer was Alfred Percival Maudslay (1850-1931), whose photographs and plaster casts have proved of enduring worth and beauty, and remain an object lesson in the recording of archaeological remains. In particular, his work has contributed greatly to the decipherment of Maya script, thereby increasing enormously our understanding of the longest-lasting, and also one of the most remarkable, of all preconquest civilisations of the Americas.

To continue reading this article you need to purchase a subscription, available from only £5.

Start my trial subscription now

If you have already purchased access, or are a print & archive subscriber, please ensure you are logged in.

Please email digital@historytoday.com if you have any problems.