Charles I

The English royal line has included several notable collectors of art, as Doreen Agnew here documents.

D.H. Pennington uses the diary notes of a contemporary MP to give readers a real sense of the dramatic atmosphere in the pre-Civil War House of Commons.

Graham Goodlad examines differing interpretations of the part played by King Charles I in the outbreak of the civil war.

Richard Wilkinson argues against the prevailing orthodoxy.

Painter of genius, gifted courtier and much-travelled man of the world, Rubens reached England in 1629, charged with the delicate task of furthering an entente between the Spanish government and Great Britain. C.V. Wedgwood shows how he enjoyed the conversation of his youthful host, whose fine aesthetic taste he shared, but shrewdly judged the weakness of King Charles I’s diplomacy.

The reasons why Charles I was executed are understood far better than the legacy of his death. Blair Worden considers the enduring and sometimes surprising consequences.

History does not reveal the identity of the masked executioner who severed Charles I’s head from his body, or of his assistant who held it up to the waiting crowd. Geoffrey Robertson QC re-examines the evidence.

Far from being the bogeymen of history, Geoffrey Robertson QC says that the English regicides were men of principle who established our modern freedoms.

Richard Cust reassesses the thinking behind the biggest military blunder of the English Civil War, Charles I’s decision to fight the New Model Army at Naseby in June 1645.

Kay Staniland discusses the authenticity of the 'ghastly' relics claiming to have originated from Charles I's execution.