The Art of War

Literature and the visual arts have long sought to depict the nature of conflict. But what about music?

Brush with death: The Mule Track, by Paul Nash, 1918.

The centenary of the end of the First World War is approaching, though with considerably less fanfare than greeted the anniversary of its outbreak four years ago. This year’s Reith Lectures – ‘The Mark of Cain’ – to be given by the Canadian historian Margaret MacMillan, begin this month and will address the nature of war, including its depiction.

To continue reading this article you need to purchase a subscription, available from only £5.

Start my trial subscription now

If you have already purchased access, or are a print & archive subscriber, please ensure you are logged in.

Please email digital@historytoday.com if you have any problems.