The Portrait of Christ: Its Origin and Evolution
S.G.F. Brandon traces development from the fourth century in Christian art to Holman Hunt and Graham Sutherland.
S.G.F. Brandon traces development from the fourth century in Christian art to Holman Hunt and Graham Sutherland.
S.G.F. Brandon marked the nineteenth centenary of the fall of the Holy City.
S.G.F. Brandon asserts that Pontius Pilate regarded Jesus as guilty of sedition. Whether he was right is another matter.
2000 years ago, a Roman Governor of Judaea made a decision that has lent his name to posterity.
S.G.F. Brandon describes how the earliest representatives of mankind were concerned with three fundamental problems— birth, death and the supply of food—which they attempted to solve by magico-religious means.
Not until three years after the fall of Jerusalem did Zealot resistance come to a bloody end. S.G.F. Brandon reviews the history of this fanatical sect, whose exemplary devotion and fortitude modern Israelis seek to emulate.
S.G.F. Brandon shows how the idea of a posthumous moral judgment, when the sheep will be divided from the goats, is deeply rooted in our cultural history.
After the sack of Rome by the Goths in the year 410, the Roman world experienced some of the unease that afflicts Western civilization today; S.G.F. Brandon describes how the late Roman world found assuagement in the writings of Saint Augustine.
According to the ancient religions of the Near East, every man possessed a double nature, compounded of physical and psychical elements, each an essential adjunct of his life.
S.G.F. Brandon explains how the images of angelic ministrants that play so large a part in Christian symbolism were derived by European painters and sculptors from the religious conceptions of the ancient Near East.