Volume 33 Issue 3 March 1983

Peter Clarke presents a review of the historiography on the topic.

Edward Countryman explores the relationship between cinematic images and the American history.

Although Anthony Ashley Cooper, Seventh Earl of Shaftesbury, was often described as the ‘Prince of Philanthropists’, he himself was aware of the paradoxes of his responses to the ‘Condition of England question’.

Christopher Hill continues the forum on words historians use by arguing that things exist before words describe them.

Gillian Williams on the promise of watercolourist and engraver, Wenceslaus Hollar, when he petitioned Charles II to allow him to accompany the British Ambassador on an expedition to Morocco, that he 'would examine all and take designs, and give his Majesty much better satisfaction'.

Films interest the modern historian for they reflect the preoccupations and conventions of an age. In this article, Jeffrey Richards shows how the British cinema-goer in the 1930s saw the world according to the British Board of Censors.